Food and Landscape: The Olive Groves of Ayvalık

 The olive groves of Ayvalık Ayvalık.” width=

The olive groves of Ayvalık

Symposiast Aylin Öney Tan traces the way in which olive groves have shaped a Turkish townscape

Does the landscape that surrounds us define our culture? My answer would be a definite yes. The natural environment dictates what we eat, what we produce, what we create, and even how we think. As someone who has a background in architecture and conservation practices, I am excited to see that heritage sites are now being evaluated as cultural landscapes; in some cases including agricultural landscapes as an integral part of heritage. Agriculture is an inseparable part of our heritage; as its name readily suggests, it is a part of our culture and basis of our existence in nature.

Recently, a particularly interesting site in Turkey, the town of Ayvalık, was included on UNESCO’s tentative list of World Heritage as an industrial and cultural landscape. The criterion to be included on the World Heritage List is clear; the sites must be of outstanding universal value and meet at least one of 10 selection criteria, the first of which is to represent a “masterpiece of human creative genius”. In recent years, UNESCO has started to emphasize the concept of cultural landscape; sites that are nominated try to display their multifarious assets. A cultural landscape is defined as “a geographic area, including both cultural and natural resources and the wildlife or domestic animals therein, associated with a historic event, activity, or person or exhibiting other cultural or aesthetic values”.

Sites where overlapping natural and manmade cultural assets are present are becoming more accepted in the World Heritage List. Ayvalık is a site that fits perfectly with the new concept of cultural landscape, together with its surrounding olive groves and industrial architecture near the port, developed for the manufacturing and trade of olive products.

Needless to say Ayvalık is all about olives. It has a unique geographical setting in the north Aegean region, just south of the Kaz Mountains, and is backed by the Madra Mountain that stretches from north to south in an arc on its eastern side. On its western side, it faces the Aegean Sea and 22 islands in the close proximity. The biggest of the islands, Cunda, which is now connected to the mainland by an infilled-land road, has been inhabited since the 10th century. The existence of olive groves, which cover almost 41.3 percent of the region and bear about 2 million olive trees, gives Ayvalık its natural character. Funnily, the town gets its name from another fruit, quince: the town is known in Greek as Kydonia, and in Turkish as Ayvalık, both names come from quince. Yet there is no doubt that it is the olive that is the sole product here. The region was originally home to wild olives (Olea oleaster) that were grafted by people to produce an oil-yielding crop. In time, the plant came to be the very essence of the existence of the town of Ayvalık.

According to sources, Ayvalık has been a developed settlement where Christians and Muslims have lived together since 1580. The rapid development of the settlement started after the 18th century when the olive oil trade became more important. As a result of advances in the production of olive-based produces like olive oil and soap, Ayvalık became an important trade port after 1880s. This economic success produced an unparalleled cultural identity that found its physical expression in the urban fabric and architecture. Here the town is practically shaped by the olive culture. Even the street patterns follow routes that go directly from the groves to the olive oil presses in the harbor, allowing the olive oil to be loaded straight from the press onto the ships. This pragmatic approach creates an organic setting in the urban layout; the main streets have an almost natural stream-like flow from groves to the seaside where the olive-oil production and shipment used to take place. The harbor is lined with industrial buildings such as depots, olive presses, olive oil and soap factories and the like, facilitating the export of products from the port. Marked by huge brick chimneys, the industrial heritage of Ayvalık is one of the best preserved in the whole Aegean; its chimneys are a significant feature of urban identity.

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Ayvalık port area view from the hillside (after 1923) Cihat Teker archive

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Ayvalık quay and industrial buildings. (before the 1923 population exchange) Cihat Teker archive

In Ayvalık, even the local civil architecture is shaped by the olive culture. The most common type of house in Ayvalık has a small olive press/depot workshop and a shop in the ground floor, with living spaces upstairs. There is generally also a back garden where shelter is provided to olive pickers coming from mountain villages in the olive harvest season. The typical Ayvalık house is a multi-functioning building combining a press, a shop, a depot, and living spaces both for owners and for guest workers. In short, life in the town evolved around the olive, and the physical environment was shaped accordingly.

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Ayvalık Urban Development (Illustration: D. Psarros, 2004)

Ayvalık is not the only olive landscape in the UNESCO list. Previously Battir, Jerusalem, was listed as Land of Olive and Vines; and the cities of Úbeda and Baeza in the Jaen region in Spain were also listed. Other agricultural landscapes in the list include the Coffee Cultural Landscape of Colombia and Agave Landscape and Ancient Industrial Facilities of Tequila in Mexico.

All these cultural landscapes are representative of a rich agricultural tradition but only in Ayvalık has agriculture determined the formation of the settlement and shaped the townscape. In Ayvalık, the continuous land use and the extent of olive oil production and its traditions produced an unparalleled cultural identity, which found its physical expression in the cultural patterns and buildings used for olive oil production as well as the traditional settlement itself. That alone is a unique asset, which needs to be recognized and preserved, not only for the sake of conservation of heritage, but as a thought-provoking example of how manmade culture was directly connected to nature.

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Ayvalık

A version of this article originally appeared in Hürriyet Daily News.

Aylin Öney Tan can be contacted at aylinoneytan@yahoo.com